568 Royalty-Free Audio Tracks for "G Major"

Recording of music written by Frederic Chopin

Major triad on C: C E G. In root position, 1st inversion, 2nd inversion, then at the octave in root position.

Recording of music written by Frederic Chopin

Handel HWV 442 Chaconne in G Major, Variation 62 (digitally arranged in Sibelius)

Italiano: Suite No. 3 in Sol maggiore, Op. 55. Orchestral Suite No. 3 in G major, Op. 55. Composed by Tchaikovsky in 1884.

Dominant thirteenth chord (V13) in F major (C E G B♭ D).

Fifteenth chord from Perry on C

I had this idea yesterday i think, to record a set of chords in vocal with the lords name. This is the chord progression::. 1st. F g# c = f minor. 2nd. D f a# = i'm calling this a d minor augmented. This is really a bflat major chord, but since i started it with a 'd', i'm calling in a d minor augmented ; ) someone's gottago for it. 3rd. G# c d# = g# major. 4th. F a c = f major. Please enjoy and comment, if you use it in anything i would just like to know, but please feel free to use this anywhere. Thanks, god bless.

Full diatonic fifteenth chord from Listz on B

*Major fourth (Eleven quarter tones) on C = F or G. 211/24:1 = 550 cents. MIDI pitch bend: 0,80 Preceded by:File:Nine quarter tones on C.mid

Standard open a major 7th chord. The same as a major except the g (3rd) string which has the 1st fret held. Down strum. If any of these samples have any errors or faults, please tell me.

Rhythmic cadence at the end of the first phrase from Bach's Brandenburg Concerto no. 3 in G Major, BMV 1048, I, m. 1-2. (with pitches)

A short excerpt from bach's g major fugue, arranged for 4 voices and played with the arp 2600 synthesizer with an intellijel bifold.

Altered major chord on B with diminished seventh (B, D♯, F♯, A♭), equivalent to a minor-minor seventh chord on G♯ (G♯, B, D♯, F♯) Alterierter Akkord mit verminderter Sept Esperanto: Ekzemplo por malsupren aliigita septo

Overture (Suite) No. 3 in D Major, BWV 1068: II. Air, "Air on the G String" performed by the Air Force Strings of the United States Air Force Band. Track 13 from Collage (2000).

Excerpt from the second movement of the concerto poloniosy by Georg Philipp Telemann

Excerpt from the third movement of the concerto poloniosy by Georg Philipp Telemann

Diagonal barre chord: major seventh chord on G. The first finger fingers both the second fret on the first four strings and the third fret on the sixth string.

Secondary supertonic chord: ii7/V - V/V [- V] in C major (a7 - D7 [- G]). Created by Hyacinth (talk) 15:14, 18 July 2010 using Sibelius 5.

Uendelighedsrækken (Dutch for "infinity series"), discovered and used by the Danish composer Per Nørgård, in G major. (This example is not composed by or taken from a work of Per Nørgård.) Uendelighedsrækken (Unendlichkeitsreihe), die der dänische Komponist Per Nørgård entdeckt hat und verwendet, in G-Dur. (Dieses Beispiel ist keine Komposition und kein Ausschnitt eines Werkes Per Nørgårds.)

This is a recording of a Wolf Tone on the major sixth or seventh above the open G on a cello. I recorded this sound using an Azden SGM-X microphone and edited it in Audacity.

Musical scale called "Ishartum" by Lou Harrison, often called the "Flamenco mode", in Pythagorean tuning on E, as follows: (by fifths) F-, C-, G-, D-, A, E, B (F♯+, C♯+, G♯+, and D♯+), or (in order) E (1/1), F- (256/243), G- (32/27), A (4/3), B (3/2), C- (128/81), D (16/9), E (2/1), with G♯+ being 81/64 and D#+ being 729/512. The final F- has an augmented sixth chord, B7b5/F (B D# F A), which resolves to a major chord that touches on the minor third.

Interpret: Alexander Brailowsky (1896-1976) Titel: Rondo a Capriccio in G major, op.129 Komponist: Ludwig van Beethoven (1770-1827) Aufnahmedatum: 1938 Erstveröffentlichung: 1938

L'Estro Armonico, Op. 3, Concerto No. 4 in E minor for four violins and strings, RV 550:

Mystic chord on C as the 7th, 10th, 13th, 9th, 12th, and 8th harmonics. 7 = B♭ = C = 0 cents = 1/1 = unison 8 = C = D- = 231.17 cents = 8/7 = septimal major second 9 = D = E = 435.08 cents = 9/7 = septimal major third 10 = E = F♯ = 617.49 cents = 10/7 = greater septimal tritone (11 = F↑ = G↑- = 782.49 cents = 11/7 = undecimal minor sixth) 12 = G = A = 933.13 cents = 12/7 = greater just minor seventh 13 = A♭ = B♭- = 1071.70 cents = 13/7 = ?

Rhythmic cadence at the end of the first phrase from Bach's Brandenburg Concerto no. 3 in G Major, BMV 1048, I, m. 1-2. (without pitches: unpitched percussion) Created by Hyacinth (talk) 02:04, 23 March 2010 using Sibelius 5.

Created by Hyacinth (talk) 03:09, 23 June 2011 (UTC) using Sibelius 5. [Description from image: From the Minuet of Wolfgang Amadeus Mozart's String Quartet in G major, K. 387. The music this excerpt comes from is public domain. My selection of this excerpt is GFDL.]

Etiuda Ges-dur, op. 25 nr 9, w wykonaniu Romualda Greissa na fortepianie marki Budynowicz z 1850. Nagranie z koncertu w filharmonii w Zabrzu.

Some chords played on my pilarte classical guitar using my thumb nail. E minor, a minor, d minor, g, c (add9). Recorded on my yamaha pocketrak and edited in sony vegas. There is a hiss. Sorry. Please comment on what you will use it for. Thanks. :^)-.